SYNOPSIS: "The Big Combo" (1955), directed by Joseph H. Lewis, is a classic film noir that delves deep into the gritty underworld of crime and obsession. The story centers around Police Lieutenant Leonard Diamond (played by Cornel Wilde), who becomes determined to bring down the enigmatic and ruthless mob boss Mr. Brown (Richard Conte). Diamond is driven not only by a sense of duty but also by a personal vendetta, as he suspects Mr. Brown of being involved with his girlfriend Susan Lowell (Jean Wallace). As Diamond digs deeper into Mr. Brown's criminal empire, he faces resistance from within his own department, where some officers are corrupt and secretly aligned with the mob boss. The tension escalates as Diamond's pursuit intensifies, leading to a series of gripping confrontations and violent encounters. Alongside Diamond, the film introduces a complex cast of characters, including Alicia (played by Helene Stanton), Mr. Brown's conflicted and tormented mistress, and Fante (Lee Van Cleef) and Mingo (Earl Holliman), two brutal henchmen who carry out Mr. Brown's orders without hesitation. The film's stark black-and-white cinematography, coupled with its moody lighting and evocative score, heightens the sense of danger and moral ambiguity that permeates every scene. As Diamond gets closer to unraveling Mr. Brown's criminal network, he discovers shocking truths about power, corruption, and the human psyche, culminating in a climactic showdown that tests his resolve and principles to the core. "The Big Combo" remains a standout in the film noir genre for its atmospheric storytelling, memorable characters, and unflinching exploration of the darker aspects of human nature and society.

PLOT Spoiler Alert: "The Big Combo" opens with Police Lieutenant Leonard Diamond (Cornel Wilde) becoming obsessed with bringing down Mr. Brown (Richard Conte), a suave and sophisticated crime boss who operates with impunity. Despite the lack of evidence to convict him, Diamond is determined to dismantle Brown's criminal empire. Diamond's investigation is complicated by his romantic involvement with Susan Lowell (Jean Wallace), who is romantically linked to Brown. Susan, trapped in a destructive relationship, grapples with conflicting emotions towards Diamond and Brown, whose charm and power exert a magnetic pull on her.

As Diamond digs deeper, he uncovers a web of corruption involving Brown's enforcer, McClure (Brian Donlevy), and his henchmen Fante (Lee Van Cleef) and Mingo (Earl Holliman). The tension escalates as Diamond faces resistance from within his own department, where some officers are in Brown's pocket. The film explores themes of obsession, loyalty, and the blurred lines between law and justice. Diamond's unwavering pursuit of Brown raises ethical questions about the lengths one should go to in the pursuit of justice. His quest becomes personal as he navigates the complex dynamics between love, duty, and vengeance.

In a climactic showdown, Diamond confronts Brown in a thrilling and suspenseful sequence that unfolds in a labyrinthine underground parking garage. The confrontation challenges both men morally and psychologically, leading to a resolution that is as ambiguous as it is intense.

"The Big Combo" is renowned for its moody atmosphere, stylish direction by Joseph H. Lewis, and its exploration of the darker aspects of human nature. The film's dialogue, penned by Philip Yordan, is sharp and laden with noir sensibilities, adding depth to its characters and narrative.

Overall, "The Big Combo" is a classic film noir that delves into the complexities of human nature, exploring the blurred lines between good and evil, loyalty and betrayal. With its intricate plot, memorable characters, and suspenseful climax, it is a must-see for fans of the genre.

PRODUCTION: "The Big Combo" (1955) was produced under the banner of Security Pictures, a company known for its focus on low-budget films that often explored gritty and suspenseful themes. Directed by Joseph H. Lewis, the film stands out for its moody noir atmosphere and stylized cinematography, which added depth to its exploration of the criminal underworld.

Joseph H. Lewis, renowned for his innovative approach to noir filmmaking, brought a distinctive visual style to "The Big Combo." Known for his use of low angles, chiaroscuro lighting, and dynamic camera work, Lewis created a visually striking narrative that enhanced the film's tense and brooding atmosphere. His direction emphasized the psychological depths of the characters and the moral ambiguity of their actions, elevating the film beyond a standard crime drama.

The screenplay for "The Big Combo" was penned by Philip Yordan, a prolific writer known for his contributions to film noir. Yordan's script was notable for its sharp dialogue and intricate plotting, weaving together themes of obsession, corruption, and moral conflict. The story's exploration of complex characters and their interwoven relationships added layers of depth to the narrative, resonating with audiences fascinated by the darker aspects of human nature.

The casting choices for "The Big Combo" were critical to its success. Cornel Wilde portrayed Police Lieutenant Leonard Diamond with a blend of determination and vulnerability, embodying the character's relentless pursuit of justice. Richard Conte's portrayal of Mr. Brown, the suave and enigmatic crime boss, captivated viewers with its charm and menace. Jean Wallace as Susan Lowell brought depth to her conflicted character, torn between loyalty and attraction to two very different men.

Despite its modest budget, "The Big Combo" effectively used urban settings and atmospheric locations to enhance its noir aesthetic. The film's depiction of shadowy alleys, dimly lit interiors, and the labyrinthine parking garage in the climactic scene contributed to its sense of foreboding and suspense. The production team's attention to detail in creating these environments underscored the film's gritty realism and heightened its dramatic impact.

Overall, "The Big Combo" stands as a testament to the creativity and artistry of its filmmakers, who elevated a modestly budgeted production into a timeless piece of noir cinema through their innovative storytelling and visual craftsmanship.

RELEASE: "The Big Combo" was released February 13, 1955 by Allied Artists Pictures, following its production by Security Pictures. The film debuted to a mixed reception, with critics acknowledging its stylish direction and moody atmosphere, characteristic of the film noir genre. Despite the critical reception, "The Big Combo" garnered attention for its provocative themes and exploration of moral ambiguity within its narrative. The release benefited from a promotional campaign that highlighted its suspenseful storyline and the performances of its cast, including Cornel Wilde, Richard Conte, and Jean Wallace. The film's distribution under Allied Artists ensured a wide release, reaching audiences across the United States eager for the gripping tales of crime and justice typical of the noir era. Over time, "The Big Combo" has gained recognition as a significant entry in the noir canon, appreciated for its visual flair, tense storytelling, and nuanced portrayal of complex characters caught in a web of corruption and obsession.

While "The Big Combo" didn't break box office records, it found its audience among noir enthusiasts and those drawn to its gritty portrayal of crime and moral dilemmas. Its reception varied, with some critics praising its style and performances, while others found fault with its darker themes. Over the years, the film has gained stature as a classic noir due to its atmospheric cinematography and strong performances. It has influenced subsequent filmmakers exploring similar themes of corruption, obsession, and the clash between law 

and criminality.

Initial critical reception was mixed, with some critics appreciating its visual style and tense atmosphere, while others criticized its plot complexities and character motivations. However, modern retrospectives often highlight its strengths in capturing the essence of the noir genre.

Beyond its initial release, "The Big Combo" has been studied for its thematic depth and as a reflection of post-World War II anxieties and cynicism. Its exploration of power dynamics and moral ambiguity continues to resonate with audiences interested in the darker aspects of human nature portrayed in film noir. These aspects together contribute to the film's enduring legacy and its place within the broader context of classic American cinema, particularly in the noir genre.

CAST:

• Cornel Wilde as Police Lt. Leonard Diamond

• Richard Conte as Mr. Brown

• Jean Wallace as Susan Lowell

• Brian Donlevy as Joe McClure

• Lee Van Cleef as Fante

• Earl Holliman as Mingo

• Robert Middleton as Police Capt. Peterson

• Helen Walker as Alicia Brown

• Jay Adler as Sam Hill

• John Hoyt as Nils Dreyer

• Ted de Corsia as Ralph Bettini 

• Helene Stanton as Rita

• Roy Gordon as Audubon

• Steve Michell as Bennie Smith - Boxer

• Baynes Barron as Young Detective

• James McCallion as Frank 

• Tony Michaels as Photo Technician

• Brian O’Hara as Atty. Malloy

• Rita Gould as Nurse

• Bruce Sharpe as Detective

• Michael Mark as Fred 

• Donna Drew as Miss Hartleby

CREW:

• Director: Joseph H. Lewis

• Producer: Sidney Harmon

• Writer: Philip Yordan

• Cinematographer: John Alton

• Editor: Robert S. Eisen

• Music: David Raksin

• Art Director: Rudi Feld

Production Company: Security Pictures, Theodora Productions
Distributor: Allied Artists Pictures

Release Date: February 13, 1955
Country of Origin: United States
Running Time: 88 minutes
Budget: $500,000
Box Office Return: N/A

IMDB Rating =  7.3 / 10

TRIVIA:

• Director Joseph H. Lewis employed innovative techniques like low-angle shots and dynamic lighting to intensify the film's visual impact and emotional depth.

• Richard Conte's portrayal of Mr. Brown is celebrated as one of the most complex and charismatic villains in film noir history.

• "The Big Combo" pushed the boundaries of censorship with its frank portrayal of violence and exploration of dark themes.

• The film's jazz score by David Raksin contrasts with typical orchestral noir scores, contributing significantly to its haunting atmosphere.

• Jack Palance was originally cast as Mr. Brown but left the production due to disagreements. Richard Conte replaced him on the recommendation of Palance.

• The film was considered daring for its time for its portrayal of casual sexual relationships and implied homosexual undertones among the characters.

• Jean Wallace, who played Susan Lowell, was married to Cornel Wilde, who starred as Police Lieutenant Leonard Diamond.

• Cinematographer John Alton's work on "The Big Combo" is regarded as one of his finest achievements in film noir aesthetics.

• Several shots, including the police station scene, were reused from Joseph H. Lewis' earlier film "He Walked by Night" (1948), also shot by John Alton.

• Earl Holliman, who played one of Mr. Brown's henchmen, is the last surviving member of the film's principal cast as of recent updates.

• The film marks the final screen appearances of actors Helen Walker and Rita Gould.

• Mr. Brown's character is referred to only by his surname, adding to his mysterious and menacing presence.

• "The Big Combo" was a co-production between Theodora Productions (owned by Cornel Wilde and Jean Wallace) and Security Pictures (owned by Philip Yordan and Sidney Harmon).

• Notably, the film features two extended continuous shots: one between Diamond and Bettini lasting over 5 minutes, and another in an antique shop lasting nearly 5 minutes.

"The Big Combo" remains a gripping film noir from 1955, renowned for its dark atmosphere, complex characters, and sharp dialogue, continuing to intrigue audiences with its intense exploration of crime and corruption in post-war America.